'What is it you like about this house so much?' 'History'
Walking into the cinema...
What is this film about? This does not look like a horror, but it does not look like a romantic drama. It is haunting.
Russelling Reviews: 3 stars
To all of the film and theological students out there, this is a film that should be analysed for decades to come. The suggestion is for you to get along to A Ghost Story while it is briefly in theatres. Take in this haunting drama, take notes for your record and then discuss what it all means. Is it a statement on life, death or a bizarre combination of both?
The minimalist style of director David Lowery (Pete's Dragon) proves that contemplative stories should not be reliant on dialogue or special effects to deliver a message. C (Casey Affleck) is a struggling musician who is living with his wife, M (Rooney Mara), in a semi-rural American home. A nuance of this young lady is that she leaves behind messages in cracks and crevices of the homes where she lives. Not soon after she places one of her secret notes in the wall of their home, the couple is awakened by a loud noice in the house. Even though they were scared, the couple was unable to find out the source of the disturbance. Shortly after this incident, C dies in a car accident. After the declaration of his death, he awakens as a ghost and remains under the sheet from the hospital bed. He finds his way back to his home and observes what life is like for his cherished bride. Unaware that his spirit is following her through her new life without him, M eventually moves away and leaves her husband's ghost behind. The ghost is left to experience the history that follows within the house and he attempts to retrieve the message hidden in the walls from his love.
Celebrated at a multitude of film festivals, A24 chose to pick up the distribution of this pensive and austere look into life after death. For fans of Casey Affleck or Rooney Mara, this journey is not reliant on their personalities to drive the film ahead. Neither have much dialogue and do not share the screen throughout the majority of the film. This is truly a psychological and spiritual journey that will test the resolve of the audience and should lead to complex discussions of death.
The artistry of Lowery's existential journey can be revered and the performance of Mara is an exceptional example of minimalism that conveys her depth in pure physicality. The tension that is developed through the camera angles and the emotion portrayed on screen open the door to a complexity within the simplicity of the script. The challenge for audiences will be to grasp the heart of the message. Even though A Ghost Story is a visual marvel, the statement it makes of what follows death is hopeless and unappealing. The experience becomes one of wonder with a touch of bewilderment added to the mix and leads to questions of the point of the film and of life.
A Ghost Story is the quintessential art film. It is hard to say that this film will entertain audiences as much as it will move them. In an era of overly produced sequels, this is at the opposite end of the consideration. Every moment seems to contain a philosophical point and contains haunting visual effects, but will not appeal to the vast majority of modern audiences. The historical journey throughout time will exasperate many and may lull the audience into a contemplative stupor. If the viewer is able to make it through to the end, they must be satisfied with more questions than answers to all that Lowery is attempting to communicate. 
It is hard to miss the driving point at the heart of A Ghost Story. David Lowery's life, death and what comes after is a depressing and tedious consideration. This thoughtful view of life has its roots in a godless world and contains little hope or joy. There is no heaven, there is no hell, just a bizarre non-existence that lacks any appeal.
As the lights came on after the screening, the emotion that countered the intent of the film was the feeling of peace. Despite this dispairing view of eternity, knowing the hope that is provided in the Bible was a refreshing and appealing look into the afterlife. Within the conversations that will inevitably follow after seeing Lowery's view of life after death, people will have to confront the realities of the brevity of life and how to understand it.
This would be a great time to pick up a Bible and open to the end. Yes, it is okay to read ahead. Revelation is a cracker of a book and one worth sitting down and discussing with a friend about the hope that can come in a discussion about the inevitable end to life.
As the lights came on after the screening, the emotion that countered the intent of the film was the feeling of peace. Despite this dispairing view of eternity, knowing the hope that is provided in the Bible was a refreshing and appealing look into the afterlife. Within the conversations that will inevitably follow after seeing Lowery's view of life after death, people will have to confront the realities of the brevity of life and how to understand it.
This would be a great time to pick up a Bible and open to the end. Yes, it is okay to read ahead. Revelation is a cracker of a book and one worth sitting down and discussing with a friend about the hope that can come in a discussion about the inevitable end to life.
1. How will the world come to an end?
(Matthew, 24:36, Revelation 20:1-15)
(Matthew, 24:36, Revelation 20:1-15)
2. What does the Bible say about the sanctity of life?
(Genesis 1:27, Psalm 139: 13-16, Matthew 5:21-22)
(Genesis 1:27, Psalm 139: 13-16, Matthew 5:21-22)
3. What sacrifice does God make to save mankind?
(Luke 23-24)
(Luke 23-24)
Trailer for film
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